伦敦艺术大学世界排名(精选6篇)
伦敦大学学院2018世界排名
伦敦大学学院在2018QS世界大学排名中位列世界第7名,英国第3名;在2017QS世界大学排名中位列世界第7名,英国第3名;2017年泰晤士高等教育世界大学排名位列世界第15名,英国第4名;在由英国官方2014年大学科研水平排名(REF)中,伦敦大学学院位列全英第2名,仅次于牛津大学。立思辰留学360介绍,伦敦大学学院(UCL)全球排名一直保持在前20强(英国前四)。近几年由于科研水平和经济实力的迅速发展,跨入了QS世界排名前10名大学的顶尖行列。
耗资两亿英镑的新校园首次将圣马丁艺术与设计学院的各种活动统一在一个屋顶之下,这座全新的建筑与其南端艰难保留至今、记录该地曾经的工业辉煌的Granary大楼相连,不仅以其先进的设施满足了学院的使用需求,更激发了学生的创造力、交流与合作。
Granary大楼作为学院重要的“前脸儿”被重建,面向通往摄政运河的新的公共广场。Granary大楼始建于1851年,曾用来转运从林肯郡麦田运来的谷物。这栋坚实的6层正方体量的建筑原本是50m宽的未作装饰的砖砌立面,在其旁侧扩建的办公部分将建筑宽度延伸至100m,其北侧两边平行布局着两栋180m长的中转货栈。Granary大楼被保留下来作为学院图书馆等,东侧货栈则被改造成供学院使用的极佳工作坊,西侧货栈面向街道的空间开设商店和酒吧,使该区域更有活力,东侧货栈下面的古老马厩改建为自行车存车处供学生和教师使用。
新建的学生宿舍和建于用地北端、两列货栈之间的新工作室大楼的立面设计极具现代感。扩建部分的尺度与Granary大楼相呼应,并沿基地的长边延续了大楼的体量。超过货栈的高度使它如灯塔一般耸立,加之现代材料的应用,使其成为伦敦这一快速发展区域中学院的象征。新建的两座四层工作室大楼位于有顶的中央“大街”两侧,“大街”约110m长、12m宽、20m高,其上覆盖着半透明ETFE屋顶,其内规律布置着电梯、楼梯、卫生间等服务核。位于北端新建的表演艺术中心包含一座带有舞台飞塔、排练空间和教学空间等齐备设施的剧场。
中央“大街”被构想成一个活力区域,好似从前学院主楼中深受喜爱的中央大楼梯,成为学生生活的舞台。连接各种服务核及工作区的廊道形成了大量分散的空间,供学生开会、放松、看人和交流。中央“大街”空间足够搭建临时展馆,可用作展览、时尚秀和表演,促进了各专业学生间的互动和交流。
另一条有顶的“街道”位于新建筑南端,与Granary大楼北端平行,成为横穿内部的公共通道。其内上下穿梭的电梯让人联想起当年谷物的传送,勾起人们对老建筑最初功能的回忆。谷场曾经的转车或被保留或在其原来位置的地面加以暗示。起重机也被保留,安置在Granary大楼新加设的天井中。出入口统一以玻璃进行简洁处理,有规律地呈现于Granary大楼的主立面。
占地约4hm2的校园将容纳4 000名学生以及1 000名教师,建设使用了超过130万个木材块和足够建造8个奥运会游泳池的混凝土。
Stanton Williams建筑师事务所合伙人Paul Williams说:“能够参与重新赋予Granary大楼生命这一雄心勃勃的计划是十分难得的机会。我们从它极为鲜明的维多利亚建筑风格及尺度找寻设计灵感,并且引入极富现代感的元素,通过诸多细节的处理实现了过去与现在的共存与对比。让4 000名学生在这座曾经废弃的建筑中开展日常生活的构想太有挑战性,我们的设计目标在于创造出一个可以转变的舞台、一个能根据学生和老师需要协调安排的空间框架,各专业之间产生新的互动与干预、机会和实验。中央圣马丁艺术与设计学院将开启这所有的可能。”
To the no rth o f Ki ng’s Cro ss a nd St P a n c r as International railway stations,67-acres of derelict land are bei ng transformed i n what is o ne of Eur o p e’s l arg e s t u r b a n r e g e n e r at i o n p r o j e c t s.T h e result will be a vibrant mixed-use quarter,at the phys i c al a nd c re ativ e he art o f whi c h w ill b e the new University of the Arts London campus,home of Central Saint Martins College of Arts and Design.
St anto n Willi ams’de sig n for the£200m ne w c ampus u nite s the c o lle g e’s activ itie s u nder o ne roof for the first time.It provides Central Saint Martins with a substantial new building,connected atits southern end to the Granary Building,a rugged survivor of the area’s industrial past.The result is a state-of-the-art facility that not only functions as a practical solution to the college’s needs but also aims to stimulate creativity,dialogue and student collaboration.A stage for transformation,a framewo rk o f fle xi ble spac e s that c a n b e o r c he strate d a nd tr a nsfo rme d o v e r time by st aff a nd stude nts where new interactions and interventions,chance a n d e x p e r i m e n t at i o n c a n c r e at e t h at s l i p-s t e am between disciplines,enhancing the student experie n c e.T h e c o mi ng to g e the r o f all the s c ho o l s o f Central Saint Martins will open up that potential.
The Granary Building itself has been restored as t h e m ai n‘fro nt’o f t h e c o ll e g e,f a c i ng a n e w p u b l i c s q u a r e t h a t s t e p s d o w n t o t h e R e g e n t’s Canal.The buildi ng was de sig ned i n 1851 to receive grain from the wheat fields of Lincolnshire u n l o a d e d h e r e f r o m r a i l w a y w a g o n s o n t o c a n a l boats for o nward transport to the capital’s bakeri e s.I t c o mpr i s e s a so l i d,s i x-sto r e y c ub i c m as s with an unadorned,50-metre wide brick elevation extended to 100-metres by office additions flanking the building.To the north,located one to each side of the Granary Building,are two parallel 180m e t r e s l o n g Tr a n s i t S h e d s.T h e d e s i g n s t r at e g y retai ns the Granary Buildi ng,adapted to i nclude functio ns such as the college’s library,while the Eastern Transit Shed behind is converted to create spectacular workshops for the college.Within the street-level openings of the Western Transit Shed new shops and bars will add further life to the area The historic horse stables below the Eastern Transit Sheds have bee n transformed to new cycle stores for students and staff.
The bulk of the college’s accommodation,however,is located in a major addition to the site,two substanti al new studio buildi ngs that o c c upy the space between the two transit sheds and which at the North e nd of the site prese nt a co ntemporary elevation to the surrounding area.The scale of the new addition responds closely to that of the Granary Building,essentially continuing its massing along the length of the site.It rises above the level of the transit sheds,using contemporary materials so that it will stand,beacon-like,as a symbol of the college’s presence within this rapidly-evolving part of London.The two new four storey studio buildings ar e arr a n g e d at e i t h e r s i d e o f a c o v e r e d c e nt r al‘street’,some 110m long,12m wide and 20m high,covered by a translucent ETFE roof and punctuated by a regular rhythm of service cores that ac commodate lifts,stairs and toilets.At the northern end,a new centre for the Performing Arts will house a fully equipped theatre complete with fly-tower as well as rehearsal and teaching spaces.
T h e i n t e r n al‘s t r e e t’h a s b e e n c o n c e i v e d a s a dynamic area,an are na for stude nt life,akin to the much-loved stair at the centre of the college’s previous main building.Bridges linking the various cores and workspaces cross it,offering break-out are as for meeti ng,relaxi ng and people-w atchi ng and exchanging ideas.The street will be used for exhibitio ns,fashio n shows and performances,the spaces being large enough to build temporary pavilions for example.Viewing points allow students t o w at c h o t h e r s w o r k i ng o r p e rfo rm i n g,a nd t h e work of other discipli nes c an be see n and exhibited.
A t t h e s o u t h e r n e n d o f t h e n e w b l o c k a n d running parallel with the north end of the Granary Building is a second covered‘street’,offering public access through this part of the building interior.Lifts risi ng through this space re c all the vertic al mo v e me nt o f g r ai n,w hi c h g av e t he c o mple x i t s original purpose.Flooring details either retain existing turntables or hint at their historic location,while within the Granary Building itself,the hoists have been retained,crowning a newly inserted lightwell.Simple glazing maintain the integrity of the unbroken openings,rhythmically punctuating the Granary Building’s main facade.
T h e£2 0 0 m c a m p u s b r i n g s t o g e t h e r 4,0 0 0C e n t r a l S a i n t M a r t i n s s t u d e n t s a n d 1,000 s t a ff under one roof.It is made up of:10 acres of floor space,over 1.3 million timber blocks,enough concrete to fill eight Olympic swimming pools.
‘It has been a privilege to work on such an ambitious scheme that will bring life back to the Granary Complex.Our design draws inspiration from the ambition and scale of its Victorian architectural setting and introduces a strong contemporary intervention that celebrates the juxtaposition of old and new in its detailing.The thought of 4,000 students inhabiting this once redundant and isolated building on a daily basis is breathtaking.Our consistent a i m h a s r e a l l y b e e n t o c r e at e a s t a g e f o r t r a n sformatio n,a framework of spaces that can be orchestrated and transformed over time by staff and students where new interactions and interventions,chance and e xperime ntatio n c an cre ate that slipsteam between disciplines.The coming together of all the schools of Central Saint Martins will open up that potential.’Paul Williams.
项目概况
项目名称:伦敦艺术大学国王十字地区中央圣马丁艺术与设计学院新校园
建设地点:英国伦敦国王十字区
业主:伦敦艺术大学
开发商:Argent
设计单位:Stanton Williams
建筑面积:3.2万m2
建筑层数:3层
项目造价:2亿英镑
建筑设计:Stanton Williams
结构设计:Scott Wilson
环境/机电工程:Atelier 10
照明设计:Spiers and Major
工料测量师/雇主代理商:Davis Langdon
景观设计:Townsend Landscape Architects.
设计时间:2008年1月
建成时间:2011年10月
图纸版权:Stanton Williams
中央美术学院
据2021年4月学校官网显示,中央美术学院教学科研面积共占地495亩,总建筑面积24.7万平方米。其中望京校区占地205亩, 建筑面积14.4万平方米;燕郊校区占地205亩,建筑面积6.8万平方米;后沙峪校区占地67亩,建筑面积2.9万平方米; 小营校区占地18亩,建筑面积0.6万平方米;下设8个专业分院,有22个本科专业;有各类在校生6425人,其中本科生3464人,硕士研究生1161人,博士研究生213人,留学生215人。
中国传媒大学、中央音乐学院、中央美术学院、中央戏剧学院、中国音乐学院、北京电影学院、中国戏曲学院
有什么艺术类专业
1、音乐类:含音乐表演(如声乐、器乐等)、作曲与作曲理论、音乐学、音乐教育、乐器修造(如提琴制作、钢琴调律)等。
2、美术类:含绘画(如中国画、油画、版画、壁画)、雕塑、美术学、美术教育、艺术设计学、书法、艺术设计(如环境设计、装潢设计等)、摄影(如商业摄影、图片摄影、新闻摄影等)、戏剧舞台美术设计、戏剧影视美术设计、动画、服装设计与表演等。
3、舞蹈类:含舞蹈表演(如芭蕾舞、中国古典舞、现代舞、国际舞等)、舞蹈编导、舞蹈学(如舞蹈教育)等。
4、广电、影视、戏剧类:含播音与主持、广播电视编导、录音艺术(如录音工程等)、摄影摄像、影视照明、电视节目制作、表演(如影视表演、戏曲表演、戏剧表演等)、导演(如影视导演、戏剧导演等)、影视戏剧文学等。
5、管理类,含公共事业管理(如影视制片管理、艺术管理)等。
6、公共关系学类:含空中乘务、宾馆服务等。
7、理论类:含编导史论,文艺编导、音乐理论、舞蹈史论、美术史论、艺术设计史论等。
本科压线生报专科好还是本科好
根据自身情况决定。
建议考虑本科文凭或有继续读研升学打算,且对民办院校较高收费能够接受的考生,可重点考虑民办本科;如果想要确保喜欢的专业,且经济条件不太允许读较高收费院校的考生,可以考虑在高职高专批次选择满意的公办院校和专业。
在填报高考志愿时,如果考生没有特殊专业目标要求,建议同意专业调剂以增加被录取的概率;但如果考生对于报考的专业具有强烈的就读意愿,并且录取不到心仪专业,宁愿承担落榜的风险,可以考虑选择不同意专业调剂。
可以关注提前批院校
对于提前批院校来说,先与本科批次院校填报和录取。秉持“不报白不报,要报就高报”的原则来报考。因而对于二本边缘的考生来说,为了给自己多一次选择院校机会,提前批院校也就值得报考。
不过提前批报考要注意两个因素:
一个是提前批的院校为特殊类院校和专业,例如军校、警校、公安、免费医学生、免费师范生等院校,对于考生的政治条件和身体条件要求严格。而且多数学校分数较高,留给刚过二本分数线的考生的机会少之又少;
排 名 | 高校名称 | 开此专业学校数 |
1 | 华东师范大学 | 30 |
2 | 厦门大学 | 30 |
3 | 四川美术学院 | 30 |
4 | 重庆师范大学 | 30 |
5 | 西安美术学院 | 30 |
6 | 新疆艺术学院 | 30 |
7 | 南京艺术学院 | 30 |
8 | 厦门华厦学院 | 30 |
9 | 贵州师范学院 | 30 |
10 | 重庆第二师范学院 | 30 |
11 | 宁德师范学院 | 30 |
12 | 广州美术学院 | 30 |
13 | 内蒙古科技大学 | 30 |
14 | 豫章师范学院 | 30 |
15 | 云南经济管理学院 | 30 |
主干课程
艺术概论、学前教育概论、特殊教育概论、艺术教育、现代教育技术培训、中外音乐史、中外美术史、艺术欣赏、中外文学名篇欣赏、综合艺术创作原理与实践、艺术康复与治疗、乐理、视唱练耳、声乐基础、钢琴基础、钢琴合奏、和声学、曲式学、歌曲伴奏写作、歌曲创作、乐器基础、合唱与指挥、学校乐队编配与排练、舞蹈、儿童舞蹈表演与创作、素描、色彩、中国画、书法、写生、美术创作、美术设计、艺术专业外语等。主干学科:教育学、艺术学。
核心课程:美学原理、艺术概论、艺术创作原理、中外艺术史、艺术作品鉴赏、文学作品鉴赏、综合艺术创作原理与实践、艺术技能训练、艺术教育概论、艺术教育心理学等。
培养目标
本专业培养具有良好思想道德品质、扎实的艺术学科的基本理论与技能,能在基 础教育学校和社会教育机构从事艺术教育、管理、交流和科研等方面工作的复合型人才。
概念解析
艺术作为人类文化的沉淀和人类想象力和创造力的结晶,具有极高的人文价值,艺术教育是培养人感知美、鉴赏美、创造美的能力的审美教育,其目的是促进人的身心实现和谐的发展;艺术教育还能够完善学生的人格,健全学生的自我意识。
Star Wars is shooting here.
A short time from now in a film studio downthe M4... JJ Abrams will film Star Wars: Episode VII at Pinewood Studios. Indeed, all the Star Wars films were shot at least partially here. Why here?Size matters: Pinewood’s 007 stage is one of theworld’s biggest—59, 000 square feet. It also havesome of the best technicians in the biz.
Here’s got superheroes.
Now if you need someone to save the planet, who are you gonna call? A Brit, that’s who. Chris-tian Bale as Batman, Henry Cavill as Superman, Andrew Garfield as Spider-Man, James McAvoy asProfessor X... Though let’s not forget just howgood Brits are at being bad. Tom Hardy1, AlfredMolina, Ian McKellen2and Ralph Fiennes have allimperiled us with their doomsday devices, magicalpowers or wild overacting.
Notes:
1. 汤姆·哈迪曾在《蝙蝠侠:黑暗骑士崛起》中饰演大反派贝恩 (Bane) 。
2. 伊恩·麦克莱恩曾出演《指环王》中的甘道夫。
Here’s got great locations.
From palaces to wasteland, London meets alllocation needs. Christopher Nolan created a Gotham City3police station in a Clerkenwell warehouse, and the French Tricolour billowed proudly fromGreenwich’s Old Royal Naval College standing infor the Bastille in Les Mis. Right now, Ridley Scottis shooting his Moses epic, Exodus, at Pinewood.
Notes:
3. 哥潭市是美国DC漫画公司漫画中出现的一个虚拟城市, 它最为人知的是蝙蝠侠的故乡。
Directors love here.
So many Hollywood hotshots have filmedmovies here in recent years that baseball capsales are up 42.7 percent. Big-name visitorsinclude: Ron Howard (Rush) , Steven Spielberg (War Horse) , Martin Scorsese (Hugo) , Clint East-wood (Hereafter) and Woody Allen (Match Point) .
The LFF4is where it’s at.
Yes, the Cannes Film Festival is full ofstars, but the LFF programmers seek out thebest films to showcase each autumn. Plusthere’s no VIP nonsense here: the festival isopen to everyone so you see the hottest filmsmonths before release.
Notes:
4. LFF即英国电影协会举办的伦敦电影节 (London Film Festival) 。
Here export the best filmmakers.
The city’s movie directors are more indemand than Benedict Cumberbatch5at acasting call for“nervy, flawed true-life he-roes”. Mile End resident Danny Boylestormed India with Slumdog Millionaire.Now Steve McQueen has made 12 Years a Slave in the US’s Deep South6, and the up-coming Mandela biopic has been directedin South Africa by Brit Justin Chadwick, starring Hackney-born Idris Elba.
Notes:
5. 本尼迪克特·康伯巴奇是英国广播公司 (BBC) 迷你剧《神探夏洛克》中夏洛克的扮演者。
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